How 'the community' works..

Well - this REALLY IS COMMUNITARIANISM! This is how 'the community' works, this is how 'the community' polices itself. Coming soon to the USA, UK and EU. 

http://www.naturalnews.com/040132_one-child_policy_forced_abortions_China.html

 

If the Chinese people are stupid enough to put up with this, that is their problem, I don't see what anyone else can do about it, until the Chinese grow some integrity, mercy and love in their hearts. You see, after going through this horrendous ordeal, most Chinese women are NOT going to permit any other woman in their village or district to hide away and have their children. "I, OR WE, HAVE SUFFERED - NOW IT'S YOUR TURN!" A network of local spies! How do you think the authorities know about who is pregnant, and when? The "friends" and "neighbours" report unauthorised pregnancies for a little cash or a pat on the back from Big Bro. This is because most Chinese are Godless, and have never heard of, or have rejected, Jesus and the Buddha's teachings of letting go of jealousy and envy, practising forgiveness, loving kindness, and of NOT seeking revenge. Hate and bitterness, laughing at other people's problems and pain, lashing out, being sneaky! Abortion is like that. 

Even in the West I have noticed that women who have had abortions themselves or who "believe" in it, are highly likely to persuade a young woman to go and get aborted. They seem to crawl out of the woodwork, obtain great pleasure in "helping" the pregnant woman, and then, once it's all over, they often fade right out of the woman's life, very quickly! They never were a real friend at all, just a nasty virus or psychic vampire, feeding off the sad situation! If they can persuade a woman to follow their advice, it reinforces their warped, feel-good view of themselves (and helps keep out the doubts about whether they are really right in their views.)  

Grinning Chinese sculptures protest oppression and pain

An installation of smiling sculptures by Yue Minjun.  A group of identical male figures - presumably self-portraits, as nearly all his works are - facing in one direction with their hands clapped over their ears.  The figures all grin madly, as though laughing themselves to death.  His work almost always explores one prominent theme: his own absurdly smiling face, grinning so widely that it exposes dozens of extra teeth.